Yogic Deities

This page provides brief descriptions of some of the major deities of Hindu and yogic tradition. This also includes Patanjali who is purported to have written the Yoga Sutras.

Patanjali

His parents and his birth

Almost everything about Patañjali is unknown. Even his most basic biographical details are disputed. And of the little that is known, much is mired in myth.

The dates proposed for Patañjali's birth and life vary by a millennium. Some authorities suggest that he lived and flourished in the 4th century BCE, while others insist that he must have lived in the 6th century CE. A part of the reason for this wide divergence in possible dates is the tradition, common at the time (it existed also in contemporary Greek society and still causes endless problems for historians), to ascribe anything worth saying to someone already acknowledged as a great exponent. In order to make their contributions more acceptable, and to give them some cachet and an air of authority, later thinkers were frequently content to concede authorship of their contributions to one or another of their more illustrious predecessors. Those predecessors thus acquired an exaggerated longevity. In the face of the conflicting evidence the best that can now be done is to come up with a consensus for the most likely dates for Patañjali's birth and death. Given that the knowledge in Patañjali's most widely recognized work, the Yoga Sutras, is presented through a series of terse aphorisms, a date for him of somewhere between the fourth and second centuries BCE becomes highly likely. It was over that period that the aphorism style not only gained extensive acceptance, but reached probably its greatest stylistic peak. Patañjali's work is widely regarded as the finest example extant of the sutra method of presentation. Give or take a century, therefore, somewhere around 250 BCE seems the best bet.

Trying to determine Patañjali's parentage poses further problems. According to one legend he was the son of Angiras, one of the ten sons of Brahma, the Creator; and of Sati, the consort of Siva. If so, this would make him not only the grandson of the Creator of the universe, but also the brother of Brhaspati, god of wisdom and eloquence and chief offerer of sacrifices.

According to another legend, shortly before Patañjali was born the Lord Vishnu was seated on his serpent, Adisesa. (Adisesa is in fact one of the many incarnations of Vishnu). While seated on his serpent carriage Vishnu was enraptured by the dancing of Lord Siva. Vishnu was so affected that his body began to vibrate causing him to pound down heavily on Adisesa -- who consequently suffered great discomfort. When the dance ended the weight was instantaneously lifted. Adisesa asked Vishnu what had happened. On hearing about the dance Adisesa wanted to learn it so he could personally dance it for the pleasure of Vishnu, his lord. Vishnu was impressed and predicted to Adisesa that one day Lord Siva would bless him for his understanding and devotion and that he would be incarnated so that he could both shower humanity with blessings and fulfill his own desire to master dance. Adisesa immediately began to ponder on the question of who his mother would be. At the same time a virtuous woman named Gonika, who was totally devoted to yoga, was praying and seeking for someone to be a worthy son to her. She wanted to pass on the knowledge and understanding she had gained through yoga. Concerned that, with her days on earth now severely numbered, she had not yet found a candidate, she prostrated herself before the Sun, the earthly manifestation of the light and presence of God. She scooped up the only gift she could find -- a handful of water -- and beseeched him to bestow her with a son. She then meditated upon the Sun and prepared herself to present her simple but sincere offering. On seeing all this Adisesa -- the bearer of Vishnu -- knew that he had found the mother he was looking for. Just as Gonika was about to offer her handful of water to the Sun, she glanced down at her hands and was astonished to see a tiny serpent moving in her hands. She was even more astonished when, within a few moments, that serpent had assumed a human form. Adisesa, who it was, in his turn prostrated before Gonika and pleaded with her to accept him as her son.

When it comes to determining what Patañjali did, the uncertainties continue. A first achievement, which is not surprising given the tales of his parentage, is his recognition as a truly great dancer. To this day dancers in India working in the classical traditions invoke him and pay him their respects. Patañjali, therefore, is effectively the patron saint of dance.

Some say that Patañjali also wrote a treatise on ayurvedic medicine. Certainly, the texts in question focus on what could well have been Patañjali's main interests: the diagnosis of disease; the structure and function of the human body; the problem of keeping the body fit, pleasing-feeling and good looking; and the curative values and properties of drugs and the techniques required to administer them. All these are mentioned in the Yoga Sutras. But although a strong tradition does insist that the Patañjali who wrote the ayurvedic text is the self-same Patañjali who wrote the Yoga Sutras, scholars do not accept this as an established fact. But an argument that can be made against these scholarly types is that they are rather missing the point. Svayambhus -- divine beings who bring about their own causeless existences, who are without karma, and who manifest themselves as evolved and highly spiritual beings for the betterment of humanity -- are in no way obliged to respect historical facts.

The waters are further muddied when it comes to another great treatise attributed to Patañjali. It is (almost!) beyond dispute that a famous man named Patañjali was born in Gonarda and that he lived, for at least a little while, in Kashmir. This particular Patañjali lived and wrote in about (?!) 140 BCE. He was a great grammarian and his Mahabhashya or Great Commentary on Panini's grammar (the first great grammar written for any language) was magisterial. It is still read and acknowledged today. But the Mahabhashya was a lot more than just a commentary. The Patañjali who wrote it took Panini's work a great deal further. He redefined the rules of Sanskrit grammar. He greatly enlarged its vocabulary. He gave Sanskrit a muscular power that made it a more precise, subtle, effective and artistic instrument capable of expressing any aspect whatever of human thought or existence. Furthermore, this Patañjali did not just provide a body of theory. He demonstrated the possibilities of Sanskrit through his skills and artistry in its use. Clearly, the question of the moment is whether this particular Patañjali was (a) the same as the Patañjali who wrote on ayurveda; and/or (b) the same as the Patañjali who wrote on yoga (never mind (c) the same as the one who was a founding father of dance). Focusing on his achievements in grammar and yoga, there is the inevitable initial problem of validating the necessary contemporaneous dates and locations. Although it is not conclusive, the best evidence is in the negative. The Patañjali of the Yoga Sutras surely lived several centuries before the Patañjali of the Mahabhashya. There is not (as) much leeway in the dates for the latter. Added to this is some internal evidence. Philosophical contradictions between the two texts would seem to indicate that they simply cannot have had the same author. This, however, is a far from convincing argument. It is easy enough, after all, to find writers who express contradictory ideas on the same page never mind in such different books, on such vastly different subjects, and written at different points in their lives. Furthermore, a work of grammar is a very different animal from a book on yoga. It is surely not to be wondered at, then, if ideas that show themselves to best advantage in the one field are not in any way efficacious -- and, indeed, cause great difficulties -- when carried over to another. The point is surely that both are excellent self-contained works with impeccable arguments and logical structures in their respective fields. This is surely exactly what they should be. It is true that it would be neat if it were otherwise but, at the end of the day, there is no reason why the one work is obliged to make reference to, or be 100% compatible with, the other. All told, the tradition that conflates these three Patañjalis (four if dance is added to grammar, medicine and yoga) into one has been around some two millennia ... and it is not about to die out any time soon.

Ganesh

Ganesha — the elephant-deity riding a mouse — has become one of the commonest mnemonics for anything associated with Hinduism. This not only suggests the importance of Ganesha, but also shows how popular and pervasive this deity is in the minds of the masses.

The Lord of Success
The son of Shiva and Parvati, Ganesha has an elephantine countenance with a curved trunk and big ears, and a huge pot-bellied body of a human being. He is the Lord of success and destroyer of evils and obstacles. He is also worshipped as the god of education, knowledge, wisdom and wealth. In fact, Ganesha is one of the five prime Hindu deities (Brahma, Vishnu, Shiva and Durga being the other four) whose idolatry is glorified as the panchayatana puja.

Significance of the Ganesha Form
Ganesha's head symbolizes the Atman or the soul, which is the ultimate supreme reality of human existence, and his human body signifies Maya or the earthly existence of human beings. The elephant head denotes wisdom and its trunk represents Om, the sound symbol of cosmic reality. In his upper right hand Ganesha holds a goad, which helps him propel mankind forward on the eternal path and remove obstacles from the way. The noose in Ganesha's left hand is a gentle implement to capture all difficulties.

The broken tusk that Ganesha holds like a pen in his lower right hand is a symbol of sacrifice, which he broke for writing the Mahabharata. The rosary in his other hand suggests that the pursuit of knowledge should be continuous. The laddoo (sweet) he holds in his trunk indicates that one must discover the sweetness of the Atman. His fan-like ears convey that he is all ears to our petition. The snake that runs round his waist represents energy in all forms. And he is humble enough to ride the lowest of creatures, a mouse.

How Ganesha Got His Head
The story of the birth of this zoomorphic deity, as depicted in the Shiva Purana, goes like this: Once goddess Parvati, while bathing, created a boy out of the dirt of her body and assigned him the task of guarding the entrance to her bathroom. When Shiva, her husband returned, he was surprised to find a stranger denying him access, and struck off the boy's head in rage. Parvati broke down in utter grief and to soothe her, Shiva sent out his squad (gana) to fetch the head of any sleeping being who was facing the north. The company found a sleeping elephant and brought back its severed head, which was then attached to the body of the boy. Shiva restored its life and made him the leader (pati) of his troops. Hence his name 'Ganapati'. Shiva also bestowed a boon that people would worship him and invoke his name before undertaking any venture.

However, there's another less popular story of his origin, found in the Brahma Vaivarta Purana: Shiva asked Parvati to observe the punyaka vrata for a year to appease Vishnu in order to have a son. When a son was born to her, all the gods and goddesses assembled to rejoice on its birth. Lord Shani, the son of Surya (Sun-God), was also present but he refused to look at the infant. Perturbed at this behaviour, Parvati asked him the reason, and Shani replied that his looking at baby would harm the newborn. However, on Parvati's insistence when Shani eyed the baby, the child's head was severed instantly. All the gods started to bemoan, whereupon Vishnu hurried to the bank of river Pushpabhadra and brought back the head of a young elephant, and joined it to the baby's body, thus reviving it.

Ganesha, the Destroyer of Pride
Ganesha is also the destroyer of vanity, selfishness and pride. He is the personification of material universe in all its various magnificent manifestations. "All Hindus worship Ganesha regardless of their sectarian belief," says D N Singh in A Study of Hinduism. "He is both the beginning of the religion and the meeting ground for all Hindus."

Ganesh Chaturthi
The devotees of Ganesha are known as 'Ganapatyas', and the festival to celebrate and glorify him is called Ganesh Chaturthi.

For more information on Ganesh, see Hindu Gods and Goddesses: Ganesh

Vishnu

Vishnu is regarded as a major god in Hinduism and Indian mythology. He is thought as the preserver of the universe while two other major Hindu gods Brahma and Shiva, are regarded respectively, as the creator and destroyer of the universe.

The original worship of Vishnu, by the Aryan conquerors of India or the original Dravidian inhabitants is not definitely known. In the ancient Vedas, the body of literature known as the Veda, and sacred literature of the Aryan conquerors, Vishnu is ranked among the lesser gods and is usually associated with the major Vedic god Indra who in the epics and Puranas fights against dragons and demonic forces. These latter writings emerge during the later development of Hinduism.

It is throughout this literature and especially through incarnations that Vishnu is raised to higher rankings within the Hindu pantheon. He becomes the prominent second god of the Trimurti, the Hindu Triad, while Brahma is first and Shiva is third.

In some Puranic literature Vishnu is said to be eternal, an all-pervading spirit, and associated with the primeval waters that are believed to have been omnipresent before the creation of the universe.

The concept of Vishnu being the preserver of the world came relatively late in Hinduism. Presumedly it sprang from two other beliefs: that men attain salvation by faithfully following predetermined paths of duty, and that powers of good and evil (gods and demons) are in contention for domination over the world. When these powers are upset Vishnu, it is further believed, descends to earth, or his avatar, to equalized the powers. Further it is thought that ten such incarnations or reincarnations of Vishnu will occur. Nine descents are said to have already occurred, the tenth is yet to come. Rama and Krishna were the seventh and eighth.

Another interesting speculation concerning Vishnu's role as preserver among many modern scholars is that it is characteristic of the practitioners of Hinduism to raise local legendary heroes to gods in the Hindu pantheon.

Vishnu is portrayed as blue or black shinned and has four arms. He has a thousand names and their repetition is an act of devotion.

For more information on Vishnu, see Hindu Gods and Goddesses website: Vishnu

Shiva

Lord Shiva represents the aspect of the Supreme Being (Brahman of the Upanishads) that continuously dissolves to recreate in the cyclic process of creation, preservation, dissolution and recreation of the universe. As stated earlier, Lord Shiva is the third member of the Hindu Trinity, the other two being Lord Brahma and Lord Vishnu.

Owing to His cosmic activity of dissolution and recreation, the words destroyer and destruction have been erroneously associated with Lord Shiva. This difficulty arises when people fail to grasp the true significance of His cosmic role. The creation sustains itself by a delicate balance between the opposing forces of good and evil. When this balance is disturbed and sustenance of life becomes impossible, Lord Shiva dissolves the universe for creation of the next cycle so that the unliberated souls will have another opportunity to liberate themselves from bondage with the physical world. Thus, Lord Shiva protects the souls from pain and suffering that would be caused by a dysfunctional universe. In analogous cyclic processes, winter is essential for spring to appear and the night is necessary for the morning to follow. To further illustrate, a goldsmith does not destroy gold when he melts old irreparable golden jewelry to create beautiful new ornaments.

Lord Shiva is the Lord of mercy and compassion. He protects devotees from evil forces such as lust, greed, and anger. He grants boons, bestows grace and awakens wisdom in His devotees. The symbolism discussed below includes major symbols that are common to all pictures and images of Shiva venerated by Hindus. Since the tasks of Lord Shiva are numerous, He cannot be symbolized in one form. For this reason the images of Shiva vary significantly in their symbolism.

  • The unclad body covered with ashes: the unclad body symbolizes the transcendental aspect of the Lord. Since most things reduce to ashes when burned, ashes symbolize the physical universe. The ashes on the unclad body of the Lord signify that Shiva is the source of the entire universe which emanates from Him, but He transcends the physical phenomena and is not affected by it.
  • Matted locks: Lord Shiva is the Master of yoga. The three matted locks on the head of the Lord convey the idea that integration of the physical, mental and spiritual energies is the ideal of yoga.
  • Ganga: Ganga (river Ganges) is associated with Hindu mythology and is the most sacred river of Hindus. According to tradition, one who bathes in Ganga (revered as Mother Ganga) in accordance with traditional rites and ceremonies on religious occasions in combination with certain astrological events, is freed from sin and attains knowledge, purity and peace. Ganga, symbolically represented on the head of the Lord by a female (Mother Ganga) with a jet of water emanating from her mouth and falling on the ground, signifies that the Lord destroys sin, removes ignorance, and bestows knowledge, purity and peace on the devotees.
  • The crescent moon: is shown on the side of the Lord's head as an ornament, and not as an integral part of His countenance. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end. Since the Lord is the Eternal Reality, He is beyond time. Thus, the crescent moon is only one of His ornaments, and not an integral part of Him.
  • Three eyes: Lord Shiva, also called Tryambaka Deva (literally, "three-eyed Lord"), is depicted as having three eyes: the sun is His right eye, the moon the left eye and fire the third eye. The two eyes on the right and left indicate His activity in the physical world. The third eye in the center of the forehead symbolizes spiritual knowledge and power, and is thus called the eye of wisdom or knowledge. Like fire, the powerful gaze of Shiva's third eye annihilates evil, and thus the evil-doers fear His third eye.
  • Half-open eyes: when the Lord opens His eyes, a new cycle of creation emerges and when He closes them, the universe dissolves for creation of the next cycle. The half-open eyes convey the idea that creation is going through cyclic process, with no beginning and no end. Lord Shiva is the Master of Yoga, as He uses His yogic power to project the universe from Himself. The half-open eyes also symbolize His yogic posture.
  • Kundalas (two ear rings): two Kundalas, Alakshya (meaning "which cannot be shown by any sign") and Niranjan (meaning "which cannot be seen by mortal eyes") in the ears of the Lord signify that He is beyond ordinary perception. Since the kundala in the left ear of the Lord is of the type used by women and the one in His right ear is of the type used by men, these Kundalas also symbolize the Shiva and Shakti (male and female) principle of creation.
  • Snake around the neck: sages have used snakes to symbolize the yogic power of Lord Shiva with which He dissolves and recreates the universe. Like a yogi, a snake hoards nothing, carries nothing, builds nothing, lives on air alone for a long time, and lives in mountains and forests. The venom of a snake, therefore, symbolizes the yogic power.
  • A snake (Vasuki Naga): is shown curled three times around the neck of the Lord and is looking towards His right side. The three coils of the snake symbolize the past, present and future - time in cycles. The Lord wearing the curled snake like an ornament signifies that creation proceeds in cycles and is time dependent, but the Lord Himself transcends time. The right side of the body symbolizes the human activities based upon knowledge, reason and logic. The snake looking towards the right side of the Lord signifies that the Lord's eternal laws of reason and justice preserve natural order in the universe.
  • Rudraksha necklace: Rudra is another name of Shiva. Rudra also means "strict or uncompromising" and aksha means "eye." Rudraksha necklace worn by the Lord illustrates that He uses His cosmic laws firmly - without compromise - to maintain law and order in the universe. The necklace has 108 beads which symbolize the elements used in the creation of the world.
  • Varda Mudra: the Lord's right hand is shown in a boon- bestowing and blessing pose. As stated earlier, Lord Shiva annihilates evil, grants boons, bestows grace, destroys ignorance, and awakens wisdom in His devotees.
  • Trident (Trisula): a three-pronged trident shown adjacent to the Lord symbolizes His three fundamental powers (shakti) of will (iccha), action (kriya) and knowledge (jnana). The trident also symbolizes the Lord's power to destroy evil and ignorance.
  • Damaru (drum): a small drum with two sides separated from each other by a thin neck-like structure symbolizes the two utterly dissimilar states of existence, unmanifest and manifest. When a damaru is vibrated, it produces dissimilar sounds which are fused together by resonance to create one sound. The sound thus produced symbolizes Nada, the cosmic sound of AUM, which can be heard during deep meditation. According to Hindu scriptures, Nada is the source of creation.
  • Kamandalu: a water pot (Kamandalu) made from a dry pumpkin contains nectar and is shown on the ground next to Shiva. The process of making Kamandalu has deep spiritual significance. A ripe pumpkin is plucked from a plant, its fruit is removed and the shell is cleaned for containing the nectar. In the same way, an individual must break away from attachment to the physical world and clean his inner self of egoistic desires in order to experience the bliss of the Self, symbolized by the nectar in the Kamandalu.
  • Nandi: the bull is associated with Shiva and is said to be His vehicle. The bull symbolizes both power and ignorance. Lord Shiva's use of the bull as a vehicle conveys the idea that He removes ignorance and bestows power of wisdom on His devotees. The bull is called Vrisha in Sanskrit. Vrisha also means dharma (righteousness). Thus a bull shown next to Shiva also indicates that He is the etemal companion of righteousness.
  • Tiger skin: a tiger skin symbolizes potential energy. Lord Shiva, sitting on or wearing a tiger skin, illustrates the idea that He is the source of the creative energy that remains in potential form during the dissolution state of the universe. Of His own Divine Will, the Lord activates the potential form of the creative energy to project the universe in endless cycles.
  • Cremation ground: Shiva sitting in the cremation ground signifies that He is the controller of death in the physical world. Since birth and death are cyclic, controlling one implies controlling the other. Thus, Lord Shiva is revered as the ultimate controller of birth and death in the phenomenal world.

For more information on Shiva, see Hindu Gods and Goddesses website: Shiva

Brahma - the creator

The creative principle of the universe is called Brahma in Sanskrit. Brahma, who is depicted as emerging from the navel lotus of Narayana, is a metaphor for all of creation: its laws, its inherent intelligence, and its consciously manifested potencies which operate as sages, saints, rishis, devas, celestials, and divine beings of all kinds of nature, temperament and description. Narayana is the Sanskrit name given in the Upanishads to that which is the sum and substance of all the manifested and unmanifested realms. Narayana is that which is neither created nor destroyed but transcends the creation, life and destruction of the universe. Brahma creates, operates in the form of this universe for trillions of years, then dissolves back into Narayana. Narayana, however, is neither created nor destroyed. Later, another Brahma appears to begin the process again.

Since the term "Brahma" does not appear in the Vedas, its creation stems from the Sanskrit work "Brih" which means "'to grow" or "to expand." In this way, it became synonymous with Hiranyagharba: The Golden Egg of Creation. Growing from the Navel Lotus of Narayana, Brahma is the name for the principle which creates all of the manifest realms. Since the Vedas proclaim in the Purusha Suktam that "three quarters of this universe are in indestructible realms above," then clearly Brahma, with his finite duration, is connected to the realms of the universe which we inhabit which are subject to creation and dissolution.

Brahma was endowed with his "spouse" (Saraswati) and consciousness at the time of creation. Brahma made certain "beings" solely by the power of his mind and thought. These beings are called the mind-born sons of Brahma. The state of their consciousness is summarized by the title Brahma Rishi: Seer with the Understanding of Brahma. Brahma Rishis, in turn, can confer this state of consciousness upon others who prove themselves capable and worthy. For an example of the conferring of the state of Brahma Rishi upon one being by another, see the Story of Vishwamitra in the Chapter on the Gayatri Mantra.

To further understand the concept of Brahma and his relation to the universe as we know it, it is helpful to view the cosmos through the lens of the Vedic descriptions of the life of the universe as interpreted in human years. Here are cycles of time as recorded in the Vedas and Upanishads.

Story About Brahma and Ego

There is a story in which Brahma and Vishnu were touring the Universe one day and found a pillar of light which extended farther than they could perceive in two directions. They were curious and decided to split up to see if one of them could find an end. Vishnu went in one direction and Brahma the other, After some time, they returned to their staring place. Vishnu said that he was unable to find the beginning, no matter how far he traveled. Brahma said that he found a beginning. He lied. Thereupon, the Pillar of light immediately changed into a form of Shiva who called Brahma a liar and sentenced him to be little observed in the divine ceremonies. This is why you will not find many pujas to him.

The lesson of the story is that the ego always wishes to perpetuate itself. And the act of creation (Brahma is the Great Creator) takes ego... even divine ego... to accomplish things. There is a mantra to achieve understanding of the mysteries of the form of this creation. The secrets of the universe become unraveled. Many traditional gurus give this mantra to their advanced students.

For more informaiton on Brahma see Hindu Gods and Goddesses Website: Brahma

Shakti- the Feminine force

Shakti is the consort of Shiva and also goes by Devi, Parvati, Durga and Kali. She represents the divine force to create balance. Every male vedic or hindu deity has a Shakti component to bring balance. The Shakti/Shiva union is the best known. It is through threir union that Ganesh was born (see pictures). Also, the warrior postures (Virahadrasana) are derived from the Shiva/Shakti union. Virahadra is the warrior of justice and was created from one of Shiva's hairs as he mourned the death of Shakti who was humiliated and died due to the jealousy of another god.

For more information on Shakti see Hindu Gods and Goddesses website: Shakti

Krishna - avatar and lord of devotion

In Hinduism and Indian mythology Krishna is the eighth avatar or reincarnation of the god Vishnu. Also Krishna is one of the most popular Hindu gods. Tradition holds that Krishna saw Vishnu in a vision in which the former deity told Krishna to destroy Kamsa son of a demon, a tyrannical ruler of the world. Krishna's mother, Devaki, was Kamsa's half-sister. Kamsa already killed her first six sons because he had been told one of her sons would kill him. Krishna' brother, Devaki's seventh child, Balarama was miraculously saved by Vishnu.

Krishna was also saved when exchanged by his parents for the daughter of a herdsman Nanda and his wife Yasoda (the daughter was also a divine being, an incarnation of Maya). With his foster parents Krishna spent a happy life playing boyish pranks and seducing the gopis (cow girls) and other rustic maidens. They found his flute playing irresistible. Legend has it he may have had 16,000 wives. But his favorite was Radha, daughter of his foster father, and his childhood lover, although they did not marry.

According to legend Krishna was not only divine, but heroic as well. He is alleged to have defeated numerous dragons and monsters, and eventually as predicted, killed his half-uncle the tyrannical king Kamsa.

In the epic poem 'Mahabharata' he helps the Pandavas against the Kauravas, two families in contention. In the poem Krishna is depicted as divine. Also in the poem he delivers his celebrated oration 'Bhagavad-Gita' on duty and life to the troubled Hero Arjuna, for who he was a charioteer, on the eve of the decisive battle. This speech persuaded Arjuna that it was right to fight against his kinsmen.

His "Song of the Adorable One" is one of the great philosophical poems. There are certain parallels between his birth and infancy and that of Christ's which tend to link these two important figures together.

In art Krishna is usually portrayed as blue-skinned.

For more information about Krishna, see Hindu Gods and Goddesses: Krishna